Innanu aa Kalyanam – Movie Review
	
	
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Cast: Rajith Menon, Malavika, Sharanya Mohan Direction: Rajasenan
 Apart from the breaking down of scenes for shooting and training the  actors, it is the realisation of the sensibility of a scene or plot that  makes a winning and quality director. Perhaps, that seems to be the  whole thing missing with the film ‘Innanu Aa Kalyanam’ and its  makers…..Yes, loads of sensibility.  Denied that, you will find girls  pleading for love in heavy melodrama where the lead man’s father is  dead, waiting to get buried.  You can witness the lead lady employing  her closest pal to convey her love to her lover in sequences that goes  on for at least for a year or more.   And you will find a guy, living  off a wealthy man demanding lakhs at regular intervals, for donating two  bottles of blood in a critical stage.  Adding to these all is that old  fashioned plot where the virtuous hero from a poor background is wooed  by the rich girl, who doesn’t have the courage to reveal it.
 The movie has Malavika (Of ‘Malarvady’ fame) as Neelima, the only  daughter of the wealthy Nair played by Saikumar. Neelima   who is ready  to do anything for  his college mate karthick (Rajath Menon), is trying  to impress him with the help of her bosom friend Ayesha(Sharanya Mohan),  but don’t have the strength to speak a single word about  her feelings   to him. Karthick on the other hand turns up from a poor background and  finds Ayesha to posses everything that she can lookout in a girl of his  future. Into the confusion drama, pulls in the spoilt brat Kunjumon  (Roshan of ‘Plus two’) son of Sundhareshan (Jagathy) who has taken a  avow to somehow marry Neelima. The movie is all about this tad old  campus track in which the hero finally succumbs to his silent lover.
 Then being a campus story, there is that mandatory moronic principal  (Suraj venjaaramoodu), the sexy teacher who woos him, the peon who is  the local post master of loving hearts , the tour, camp fire  and the  attached group dance, which all continues in its cliched sequences.  Rajasenan has tried this time to make Saikumar and Ashokan (who is an  NRI here with a foul-mouthed Malayalam), play some silly jokes which  backfire really ending up as senseless buffoonery.
 The problem with the film is that its script is as old as the hills;  with the love triangle lifeless and outdated leaving you cold from the  very start.  Since the writing is so childish, so amateurish and  fragile,  its crash is imminent. The execution of neither the subject,  nor the forced comedy tracks manages to catch your attention.
 The four young man in the lead has tried their level best to keep the  proceedings under control but fails as the scripts offer them little  new to built on. But even in this regular chaos, Saranya Mohan, does a  lovable job and is the only actor in the movie who makes an impression.  Roshan as the baddie plays to the demands of the role and is a, while  Malavika and Rajath appear wooden and just manages to be in the  characters.
 Rejasenan has marginally improved his quality in the technical front  with Vinod Illampally doing fine job in the cameras. All the songs by  Bijipal are hummable, while a couple may enter the hit charts.
 With a lot of experience in store, it is high time directors like  Rajasenan do some serious homework on the changing standards and viewing  patterns of cinema, rather than continuing with his old memories and  practices  of making wits. Or else, he is destined to face the doom with  movies continuously going down in the Box Office without a trace. After  going through this, who will be still interested in this ‘Kalyanam’? If  you still dare to take a chance, go with the minimum expectations.
Keywords:Rajith Menon, Malavika, Sharanya Mohan ,Rajasenan,Innanu Aa Kalyanam,melodrama,‘Malarvady’ fame,Jagathy,Suraj venjaaramoodu,Rajasenan, Saikumar , Ashokan, silly jokes ,Vinod Illampally, cameras.