Cast: Rani Mukherjee,Prithviraj Sukumaran,
Director: Sachin Kundalkar
Producer: Anurag Kashyap
Music Director: Amit Trivedi
Release Date: Friday, October 12, 2012

The story sounds quite funny as a concept, but the jokes barely work. Meenakshi Deshpande (Rani Mukherjee) is a middle class Marathi girl, a librarian at a college. She has five members in her family: A wheelchair bound grandmother who is blind, her father who smokes four cigarettes together, her mother who is obsessed with marriage, and her brother who’s only love in life is dogs. To escape the craziness of her family, Rani lives her life in dreams, and in her dreams the only thing she’s doing is dancing and enacting her favorite actresses, Sridevi, Juhi etc. Then there is Maina, Rani’s best friend, who managed to thoroughly annoy everyone in the theater this writer was watching Aiyya in. The less said about her the better.

Meenakshi’s family are looking for a suitable groom but Meenakshi, who doesn’t believe in arranged marriages, is waiting for her prince and wants her dream wedding. That’s when South Superstar Surya (Prithviraj) enters. Surya is an art student, and the moment Meenakshi looks at him she falls in love with his tanned skin and body odour. Yes, you read that right. Body odour. By this time her family have found the ‘right guy’ Maadhav (Subodh Bhave) for her, and are rushing with her wedding. The rest of the film involves Madhav running around after Meenakshi, and Meenakshi following Surya.

The entire film revolves around Rani Mukherjee, but there is some disappointment here too. Viewers expecting and encore of her livewire performance in No One Killed Jessica may be disappointed, but the fault lies more with the story than with Rani. You can see that she has put in every effort but there is little that can save this movie. Prithviraj and Subodh hardly have a role in the film but maybe because Prithviraj is a huge superstar in the south he gets to mouth a few lines in the end. Subodh, as the simple guy Madhav, has even lesser to do than Prithviraj.

To sum it up, Aiyya has some good moments, almost all provided by Rani Mukherjee, and all of them in the first half but Aiyya’s story and film length could have used a helping hand. The item songs live up to their billing and Rani has performed the best belly dance this side of the Arabian Sea. But movies are about more than belly dancing and sadly for Aiyya and Rani, that is all people are going to remember.



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